Term: Tukra MCQs Quiz | Class 9
This quiz covers Unit 1 of the Class IX Hindustani Music Percussion Instruments (Code 036) curriculum, focusing specifically on the definition and short rhythmic composition known as Tukra. Test your understanding of its structure, characteristics, and performance rules, then click “Submit Quiz” to view your score and download the PDF answer key.
Understanding Tukra in Hindustani Music
In the context of Hindustani Music Percussion Instruments (Code 036), specifically for Class IX, the term Tukra refers to a short, fixed rhythmic composition. The word “Tukra” literally means a “piece” or a “fragment.” It is primarily played on drums like the Tabla or Pakhawaj.
Unlike expandable compositions such as Kayda or Peshkar, a Tukra is non-expandable. It has a fixed structure of bols (syllables) and usually spans a short duration, typically covering two to three avartans (cycles) of the Taal.
Key Characteristics
- Structure: It is a pre-composed piece with a set sequence of bols.
- Tihai: A Tukra almost always ends with a Tihai—a phrase repeated three times to conclude on the Sum (the first beat of the next cycle).
- Laya (Tempo): It is generally played in Drut Laya (fast tempo) or at the end of a solo performance to showcase rhythmic dexterity.
- Bols: The syllables used are often bold and energetic, such as Tirakit, Dhirdhir, or Kradhan.
Tukra vs. Kayda
| Feature | Tukra | Kayda |
|---|---|---|
| Nature | Fixed composition | Expandable composition |
| Improvisation | No (played as written) | Yes (via Paltas) |
| Ending | Includes a built-in Tihai | Requires a separate Tihai to end |
Quick Revision Points
- Definition: A short fixed composition ending with a Tihai.
- Instrument: Common in Tabla and Kathak dance accompaniment.
- Minimum Length: Usually starts from Sum or any specific beat and ends on Sum after a few cycles.
- Type: It falls under the category of Bandish (fixed composition).
Extra Practice Questions
- Q1: Can a Tukra be played in Vilambit Laya? (Answer: Rarely; it is suited for faster tempos.)
- Q2: Is Palta improvised in Tukra? (Answer: No.)
- Q3: What does the repetition of the final phrase three times signify? (Answer: It forms the Tihai.)
- Q4: Does a Tukra always land on Khali? (Answer: No, it lands on Sum.)
- Q5: Is Mukhra the same as Tukra? (Answer: No, Mukhra is a smaller phrase leading to Sum, while Tukra is a complete composition.)
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