Term: Khayal MCQs Quiz | Class 9

This quiz covers Class IX Hindustani Music Melodic Instruments (Code 035), Unit 2. The questions focus on the definition, structure, and vocal form knowledge of Khayal. Submit your answers to view the result and download the PDF answer sheet.

About Khayal in Hindustani Music

Khayal is the modern genre of classical singing in North India. The word ‘Khayal’ is derived from Persian and literally means “imagination” or “thought”. This form of singing offers greater freedom for improvisation compared to the older Dhrupad style.

Key Characteristics

  • Improvisation: The most distinct feature is the extensive use of tans, alaps, and bol-tans, allowing the artist to expand the raga creatively.
  • Composition Structure: A standard Khayal composition generally consists of two parts:
    1. Sthayi: The first part, usually sung in the lower and middle octaves.
    2. Antara: The second part, usually focusing on the higher octave.
  • Accompaniment: It is typically accompanied by the Tabla (percussion) and Tanpura (drone), along with a melodic support like the Harmonium or Sarangi.

Types of Khayal

Type Tempo (Laya) Description
Bada Khayal Vilambit (Slow) Sung at the beginning of the performance. It is serious, meditative, and expansive.
Chhota Khayal Drut (Fast) Sung after the Bada Khayal. It is faster, lighter, and more rhythmic.

Quick Revision Points

  • Khayal replaced Dhrupad as the dominant vocal form in the 18th century.
  • The language of lyrics often includes Braj Bhasha, Hindi, or Urdu.
  • Sadarang and Adarang are credited with popularizing the Khayal style in the Mughal court.

Extra Practice Questions

  1. Who are the two musicians credited with popularizing Khayal in the 18th century?
  2. What is the name of the slow tempo used in Bada Khayal?
  3. Name one instrument used for melodic support in Khayal singing.
  4. Which octave is primarily used in the Antara section?
  5. Does Khayal allow for more or less ornamentation compared to Dhrupad?