Term: Anuvadi MCQs Quiz | Class 9

This quiz is designed for Class IX students offering Hindustani Music Vocal (Code 034). It covers Unit 2, focusing on the specific topic of Anuvadi (Supporting Swar) and its role in the structure of a Raga. Click ‘Submit Quiz’ to check your knowledge and download the answer sheet PDF.

Understanding Anuvadi Swara

In the theory of Hindustani Classical Music, the notes (Swaras) of a Raga are classified based on their importance and function. Anuvadi swaras play a crucial role in defining the complete structure of a Raga.

Definition and Meaning

The term ‘Anuvadi’ is derived from the Sanskrit word ‘Anu’ meaning ‘to follow’. Therefore, Anuvadi swaras are the notes that follow the Vadi (King) and Samvadi (Minister). They are often translated as Assonant or Consonant notes.

The Royal Court Analogy

Ancient texts use a hierarchy to explain the relationship between notes:

  • Vadi: The King (Raja) – The most important note.
  • Samvadi: The Minister (Mantri) – The second most important note.
  • Anuvadi: The Subjects/Servants (Sewak) – The supporting population.
  • Vivadi: The Enemy (Shatru) – A discordant note used rarely for beauty.

Function of Anuvadi

Anuvadi swaras constitute the bulk of the notes in a Raga. While the Vadi and Samvadi define the Raga’s distinct identity, the Anuvadi swaras fill the gaps, allowing for the elaboration (Vistar) of the Raga through Alaps and Taans. Without Anuvadi swaras, a Raga would lack continuity and completeness.

Term Role Literal Meaning
Vadi Main Note The Speaker
Samvadi Sub-main Note The Co-speaker
Anuvadi Supporting Note The Follower

Quick Revision Points

  • Anuvadi notes are neither Vadi, Samvadi, nor Vivadi.
  • They provide the base or body to the Raga structure.
  • They are used frequently and freely in performance.
  • They represent the “subjects” in the musical kingdom.